| TITLE: | 248 mgs., a panic picnic | ISBN: | 1-882022-50-5 |
| AUTHOR: | Susan Landers | PRICE: | $12.00 |
| PAGES: | 88 | Excerpt |
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Description:
“Sue Landers
plays a keyboard of melodious funny daring rhymes in delightful Steinesque
rounds. Here is a picnic of the mind bent through a clever child’s
eye’s view — this first book is lovely, joy-filled, cathartic,
and smart.”
“Written in tercets
to explain what it means to be a little pill in a big complicated world,
this book is unlike anything else I’ve read. It is wonderfully brittle.
It is tightly wound and spinning. It is original and powerful.”
— Juliana Spahr
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“Daredevils, precipice-walkers, smoke jumpers: take note. Sue Landers has cracked your code. The prickly and wired tercets of panic picnic warn of the risk and necessity of coming to consciousness on the bed of broken glass called memory. Because “Every obsession/needs a collaboration/in public” the work recruits a multiplicity of subjects projected from one another so no one is object/abject but each complicit with the obsession of dismemory/dismembering memory. The ensuing humanity is a rugged compassion, a hellcat’s language sobered by the memory mill, but ultimately the safety net of a poetry that sticks its neck out.” — Heather Fuller “248 mgs., a panic picnic is a long poem in ten parts, written in deceptively modest tercets. Susan Landers is painting an unmistakably American image here; undulating between autobiographical elements and fantasy; always listening closely to the sounds of her words: “Grab a crevice/in the king’s/tickle taffy.” And her humor is irresistible: “Little pill would sleep/her way to the top/if she could get/out of bed.” This is a daring and contemporary voice that speaks of pills, guns, and of shame. The story is captivating, the echoes of recurring themes and stanzas are haunting: this book is a blast.” — Anne Tardos “Readers old enough to have read Max Beerbohm’s Seven Men will recall the competition between Hilary Maltby’s Ariel in Mayfair and Stephen Braxton’s A Faun on the Cotswolds, and will conclude that 248 mgs. trumps both at their own game. Susan Landers has turned Pan on his head to spell out NAP, nap in which she sees and writes through the creepy children’s modernism of Rossetti, Stein, Sandburg, Harryman, and Freud. This “panic picnic” is a fresh, engaging look at the anxiety of a restricted vocabulary — roll over, Esperanto, and tell Basic English the news.” — Kevin Killian |
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